Working on chosen subject matter

Working on my chosen subject matter
Whilst researching photo-montage I came across a website dedicated to the high fashion/art magazine ‘AnOther’. I became engrossed (well… distracted) with several of the ‘most viewed’ articles. I discovered the work of Jason Shulman, British Sculptor and photographer. In May this year (2016), he held an exhibition of his work Photographs of Films. The magazine article ‘The art of condensing whole movies into single photographs’ explains how Shulman takes long-exposure photographs of entire movies and flattens them into a single image. For example ‘The Wizard of OZ’ below.


“Interestingly, it came about after an unexpectedly successful experiment. “I set up my camera in front of my computer and pointed it at a movie, expecting that, if you expose the negative for an hour and a half with a film in front of it, you’d get a bit like what you get when you mix balls of Play-Doh together – just a brown monotone hue,” Shulman explains.


2001: A Space Odyssey (1968)

This gave me some much needed inspiration. I don’t want my finished images to look as vague as Shulman’s, but I like the idea of compiling images in this creative way, rather than using Photoshop/Lightroom. I considered the option of filming myself (or rather asking someone else to film me), and decided that would not work because much of the video would show me running from A to B and I am no expert at editing movies. Plus, I like to have a plan in my head and then develop the images through spontaneity.

So the next stage was to get shooting. I set up my camera and tripod and armed with my remote shutter release and using the self timer function – and my husband as and when necessary – I set about illustrating my situation, mood and state of mind.


Next I wanted a few images which represented the fogginess in my head, my lack of a clear vision and outcome. A friend told me about a fellow MA Photography student who was often in severe pain and how she portrayed this in her images. She apparently used Vaseline smeared over a lens to convey distortion of consciousness and vulnerability.
p-waltonFortunately my ‘condition’ is less extreme, but this gave me an idea. I decided to use bubble wrap as a kind of diffuser to distort the picture. These are the resulting images – I’m really quite pleased with them.




Finally I included some additional shots and backdrops that I may be able to use in my final image presentation as metaphors – turmoil, undefined plan, no track of time and tangle of thoughts.

p1110761-copy  white-bluedsc_6158-copy   dsc_6130-copy-copy

Compiling the images – Windows Movie maker and camera
Now to work on how I will accomplish the end product. Looking back at Shulman’s work, I want to create a series of between one and four images loosely based on his technique. I often use Windows Live Movie Maker to collate our holiday photos, so decided to experiment with this. I picked 4 random photos from a recent trip to Iceland and made a video. I set the duration to project each image between 0.50 and 1 second. I then played back the video with my camera set up in front of my laptop screen. I set the shutter speed to 1.6 sec. This was the result.

dsc_6466   dsc_6465                        dsc_6462   dsc_6463

dsc_6466 dsc_6465 dsc_6463 dsc_6462

I am happy with this, although the images are a little too light. I will practice with my assignment images and see what develops. The difficulty is choosing which photos to use. I have put 5 draft sets of photographs together as follows:

Set 1
dsc_6548  dsc_6546  dsc_6540  dsc_6552

Set 2
4  3   2 1

Set 3
1  2  3

5    6

Set 4
1  2  4

3  5

Set 5
2  3 4  5

I then put these images into a movie. I was hoping to insert my videos here, but WordPress doesn’t seem to be able to locate them? I will look into this before submitting for formal assessment.
I played back the videos with my camera set up in front of my laptop screen. As a test I varied the shutter speed between 1.6 sec – 3 sec. This was the first proof. I must add that at this stage I did not line up the camera to the laptop with any precision, because at this stage I was not convinced it would be a successful project. Hence, the framing of the images is rather slapdash. There is also a technical issue which I will explain at the end of these sets of images.
Set 1
dsc_6719 dsc_6719-copy dsc_6717 dsc_6717-copy dsc_6715 dsc_6715-copy
Quite pleased with these, especially the last two where I’m seen to be climbing up the wall! The use of gels has produced vivid colours to add tension, friction and frustration to the series.

Set 2
dsc_6725 dsc_6735-copy dsc_6733 dsc_6727dsc_6728 dsc_6745 dsc_6743 dsc_6735
Stripped of colour, these images have a faded look hinting of time and the past.

Set 3
dsc_6759 dsc_6756 dsc_6756-copy

dsc_6753  dsc_6747  dsc_6746
My bubble wrap application has offered a dreamlike appearance to these images. But I don’t feel there is much difference visually between these and my original photos (pre video).

Set 4
dsc_6773 dsc_6773-copy dsc_6771 dsc_6771-copy
I am discounting these shots immediately. The colours are not good – too strong and false (post processing didn’t improve matters). I appear to have become a Hobbit type creature with rather large ears!

Set 5
dsc_6795a dsc_6785 dsc_6793 dsc_6784 dsc_6783 dsc_6781 dsc_6779 dsc_6782
I do like these. They remind me of witches and magic spells. If only it were that easy, my assignment angst would vanish instantly………..

Technical issue
The issue was interference between the pixels on the screen and the pixels on my camera, this was due to the strobing effect as the camera scans the screenshots. Even light cropping or straightening caused lines and dots to appear across the images. In my earlier sample – the Iceland experiment – the lines were very faint, possibly due to the fact that the images were slightly overexposed. Sample of the problem below:
This one is not too obvious, but the interference is very clear in the two images below – more so on the full screen.



Somewhat disappointed but still determined, I experimented some more. I set up my camera on the tripod and lined up my laptop with more precision, so no post cropping required. This time I used the remote shutter release to ensure absolute steadiness and set my camera to manual. I thought an almost transparent diffuser may help matters, I don’t have a suitable filter so placed a piece of clear cellophane over my lens. I had to tweak the aperture and shutter speed several times and constantly adjust the focus to cope with the changing pictures projecting in front of the camera lens.
The results are not perfect, but much improved. In some images I think the faint lines actually compliment the narrative and assist in expressing the emotion in the images.

Take 2
Selection from second draft:

dsc_6827    dsc_6825


dsc_6822   dsc_6823 dsc_6733

dsc_6813   dsc_6810

dsc_6839   dsc_6838

Now to decide and select images to submit. Please see A3 Submission to tutor for final images.

Schulman, J. ‘The art of condensing whole movies into single photographs’. Available from: [accessed 20th September 2016]
Walton, P. On becoming invisible. Available from: [accessed 20th September 2016] [accessed 18th September 2016] 18th September 2016]